Refusal to take responsibility.
Hi, Just thought I would make a note here of your handling of my issues. I ordered a pair of HD6xx headphones and then earlier today recieved the package. I drive to go and get it, as I like in the UK I had to pay import tax and handling fees. These total £47.92. The breakdown being £35.92 in tax and £12 in fees. These taxes were calculated of the shipping label of the box, which marked the shipment as the 6xx headphones of $199 value. Before leaving the parcel depot, I open the box to find a $35 lord of the rings mousepad. So now the problem is not only do I not have the headphones, but you have marked the shipment wrong so I have paid £47.92 fees for the handling of the mousepad. Which would have acrued £0 of fees if marked correctly as it is under £135. I go back to the desk but as I have already paid the fees I am unable to reject the shipment, but as the box said 6xx, there was no way for me to know before opening it. I contact support and they offer me a replacement, which...
Jan 17, 2025
Much of my catalogue was produced in the early wave of digital recordings, when the industry did not not how to equalize for the new medium. Half my library is bass-starved - not because the music itself had no bass, but because the digital recording and mastering methods of the day just did not manage lower frequencies well.
The rest - the more modern part - is well-balanced, especially for mobile audio.
And so these 'buds sit in a very odd place in my world. They're JUST balanced enough, all the way down, for the newer recordings. But, unmodified, they're useless for the older tracks: listening is painful with no bass to support the wealth of higher frequency response. And modified, while the older material now suddenly sounds natural and full, the newer stuff booms heavily.
Don't get me wrong. These are gems: very forward staging, excellent separation with a big soundstage and crisp distinction and detail in mids and highs that make listening a delight. I can well understand all the acclaim for that alone. And now I've done the BluTak hack, I'm having a hard time putting them aside.
But they're one of two personalities: unmodified they make any player sound good, and with a little judicious EQ fiddling they sound exquisite; and modified they make older, bass-starved recordings sound like their vinyl equivalents with the EQ flat. But it seems they can't do both at the same time, and switching between recording styles will be difficult at best. Given their price point, though, it would probably be defensible to get two pairs, mod one, and carry both for listening to whatever material struck one's fancy.
I would love to see Tin Audio produce a separate, bass-tuned version of these with the inboard vent either better sized/placed or omitted. The depth of response with that vent blocked is amazing. Without that, though, a should-have-been-best-of-breed pair is merely amazing-now-I've-fiddled-with-them.