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thexder1
15
Apr 3, 2019
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I have several.
  1. New amplifier designs - Other than some general improvements in Class D amplifiers over time there has not been any significant gains with new amplifier designs, it is really just marketing especially when it comes to class AB amps.
  2. Power - Power cables, power supplies, surge suppressors, power filters etc sold as audio grade are just a waste of money. Any preamp, or amp designed properly will not be affected by noise on the power lines. If you do get noise on the power lines then something else is generating it and not shielded properly or the preamp or amp circuits are not built properly. We are talking about designs that have existed since the 70's or 80's eliminates any noise that the human ear can hear from this and it may add a couple pennys to the cost of the equipment.
  3. Tube vs transistors - Tube amps are not better, it is a proven fact. The reason is the definition of what an ideal amplifier does, it would reproduce the exact waveform that is input into it with greater amplitude. All amplifiers will have some distortion and when powered beyond a certain point will get a much greater degree of distortion. Tube amps would have about 0.5W before they hit this point while mosfets could have 50W before they hit this point, and transistors can be run in setups to parallelize this for more power. Since tube amps have such a low power before they get highly distorted they are almost always run heavily distorted. The distortion can easily be measured and is well documented. The difference is the distortion is actually pleasant to listen to, not harsh like the transistor distortion. As the definition of an ideal amplifier requires the output to not be different in anyway other than amplitude that makes tube amps bad for amplifiers. Pre-amps are where equalizers or filters would be applied to change the sound so tube preamps to get the tube sound if that is what you want is how that should be done, but the amplifier should not do that. Nothing wrong with liking that sound and wanting it, it just should not be done in the amp.
Apr 3, 2019
ko403ok
26
Apr 4, 2019
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thexder1Solid state voiced like tubes fills the bill.
Apr 4, 2019
B-squared
0
Apr 25, 2019
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thexder1I'm with you on #1 and #2. On #3, there are a couple of technical points to be made. You can look at the measurements in Stereophile (the only place I know of that measures a lot of tube amps), and see that the clipping knee (the point where the distortion starts to greatly increase) is not at 0.5W (except maybe on a 3W amp), but all over the place. Usually it's going to be somewhere in the range of the rated power minus 10 or 20 percent, and any standard tube amp design will not have audible distortion unless being run close to its rated power. Also, tubes can be run in parallel just as transistors can. Your last sentence totally nails it.
Apr 25, 2019
thexder1
15
May 2, 2019
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B-squaredThere is distortion on tubes that starts a very low power, that can be measured and is well described in scientific literature on the subject. That is the reason the "tube sound" exists. Transistors BJTs or FETs will amplify the sound at very low distortion levels at actual listening volumes. The reason many current MOSFET amps have greater distortion than like 0.001% is because they are class D amplifiers which are a lot more energy efficient than class AB, but are very difficult to make with low distortion due to the switching nature of that amplifier design. I do not know the literature where this stuff is described off the top of my head and I am not going to spend the time to look it up. If you actually care about it then you should do your own research, but it does exist. If I knew where I read all of this many years ago I would most certainly cite my sources.
May 2, 2019
Mowgli66
11
May 13, 2019
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thexder1The late, great Peter Walker of Quad acoustics famously stated that "Any competently designed amplirier sounds pretty much as the next competently degigned amplifier". Of course, he was referring to class AB amps.
May 13, 2019
thexder1
15
May 13, 2019
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Mowgli66I would definitely agree when it comes to class A and class AB amplifiers. One thing people don't seem to understand is that even the power supply in the amplifier and the power coming from the wall does not matter so much if the amplifier itself is designed properly. Well known publicly available designs for class AB amplifiers where the amplifier circuit design removes most of the noise from the power. Class D amplifiers are quite different because they are based on switching a triangular wave, to avoid the distortion in that case you would have to switch quite fast which makes it less efficient, uses far more expensive components, and is overall more difficult to design, so it starts to remove most of the advantages that class D amplifiers can provide. This means that for best quality while class D amplifiers can do it, they will likely be more expensive than class AB amplifiers of the same quality and the efficiency will likely not be that much different either. I am of course only referring to transistor amplifiers above as tube amps are too inefficient and provide too much distortion to discuss in this context.
May 13, 2019
Khronus
79
Feb 18, 2021
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thexder1I respectfully disagree with #3 and here's why. Amplifiers: Solid State amps verses Valve amps (lenardaudio.com)
Feb 18, 2021
thexder1
15
Feb 19, 2021
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KhronusFrom that link "Many guitar and bass amplifier designers also noticed that the new solid state amplifiers (with 100% Damping factor) had a suppressive effect on the musicality of a speakers performance and stayed with Valve technology. But academic engineers of HiFi amps were blindly obsessed with the almost perfect zero distortion figurers and 100% damping factor solid state amps could achieve." Which kind of supports my whole point, tube amps create distortion. Maybe you like the sound, maybe you don't, but the point is that an amplifier by its very definition is supposed to increase the amplitude of the input ideally without changing it. If you want it to sound like a tune amp, then you can do that with sound processors or running it through a tube preamp. I will also note that when I wrote that I meant to refer primarily to amplifiers for connecting to playback devices, not instrument amps, and there is I think a worthwhile distinction there since what is recorded on media to be played back should be as close as the media allows to what the artist intends the listener to hear, therefore in my opinion it should be played through an amplifier with as little distortion as possible. Instrument amps I can see an argument for the change in sound to create what the artist wants, but I would still tend to be on the side of the changes to the sound happening separately from the amplifier.
Feb 19, 2021
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